If I’m going to keep this post in line with other Where to start with posts then I shouldn’t be recommending the book everyone has probably heard of, Tipping the Velvet. But love affairs in music halls is not a bad place to start.
Sarah Waters is sometimes summarised as writing “historical lesbian fiction” but whilst that is true, her books are so much more then that sweeping generalisation would have you believe.
The Paying Guests brings us to 1922, when the aftermath of the war is starting to change people’s lives. Frances and her mother can no longer afford their house without taking in lodgers and when Lilian and Leonard Barber move in, Frances is captivated by the modern style and attitude Lilian introduces. The effect the paying guests have on Frances and her mother is told with Sarah Waters’ typical sensuous and rich language, deftly creating drama and suspense through her portrayal of flawed but utterly real characters.
When I first read Fingersmith I was describing it to everyone as “Dickensian lesbians”. This flippant remark wasn’t only because of the setting of the novel, but the themes of poverty and desperation. The manipulation of women by men is a current that runs throughout the many twists and turns of this brilliant novel. Sarah Waters chooses each word so carefully that you can’t help but feel the tension and barely disguised sensuality present in most chapters.
Check out all Sarah Waters’ books on her website